Technocratic Oath

I’m all about painting the invisible, and the very things that make us all uncomfortable. I reference a time that has passed, is now and is to come. A repetitive cycle ensues, and annihilation never looked more beautiful. 

My work is from the perspective of the female as an onlooker, to feel as an unwelcomed spectator. I explore concepts centered on technology as a working mechanism on the human psyche, the colonial gaze, aspects of multi-culturism, and spirituality. I chose to depict dark menacing voids with geometric grids or whimsical garden landscapes that underscore aspects of global capitalism and Neo-colonist ideals. In the works, spiritual evolution is discarded for a trans-formative form of technology, in which the possessor becomes possessed.  Underlying aspects influencing my work include the male gaze, racial stereotyping, social hierarchy, spiritual possession, scapegoating, and traditional concepts surrounding worshiping deities.

I find myself creating masked translucent beings with hybrid bodies or transgressional cyborg apes, as traumatized protagonists, and domestic terrorists. Concepts dealing with the collective or formation of psychological bonds between seemingly disparate parts, is heavily explored in my work. My palette is meant to also achieve a luminescence that defies logic and contrives a supernatural domain, thereby supporting notions of immateriality.